Podcast: The Tom Petty Project

oin Kev Brown as he digs into Tom Petty’s catalogue, starting with the first track from the debut Heartbreakers album, all the way through to the final song from Mudcrutch 2. Along the way, there will be special episodes dedicated to outtakes, b-sides, and other Tom Petty related material. This podcast is in no way affiliated with the Tom Petty estate and all rights to Tom Petty and the Heartbreakers, Mudcrutch, Stevie Nicks, and the Travelling Wilbury’s are the property of their respective rights holders.

Counting on You

Sonically, you could definitely hear this one sitting happily on Mojo. But I also sometimes feel that this is the most Wildflowers-sounding of all the songs on Echo. If you found out that it was another of the songs that hadn’t been included on that album, it wouldn’t really surprise you. In Conversations With Tom…

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Room at the Top

I, along with I’m sure many of you Pettyheads, consider this one of Tom’s finest works. It’s an absolute masterpiece in songwriting, lyrical precision, and arrangement. As Tom tells Paul Zollo, “It was a great example of The Heartbreakers at work. On my own I would have never arrived at that arrangement of the song….

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The Same Sad Echo

Like Songs and Music for She’s The One, somewhere around half of the songs on Echo were never played live. Tom tells Paul Zollo “I was kind of glad to get to another place after Echo. I was kind of glad to get somewhere else. I don’t know why, but I kind of felt like…

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Songs and Music from She’s The One (with John Paulsen)

After a little bit of a false start, John and Kevin settle into a fun chat about soundtrack composition, how Ed Burn managed to lock in Wildflowers era-Tom Petty to be his musical director, why Tom took over the project wholesale and why this may just be the most underappreciated album in Tom’s catalogue! Do…

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Airport

Airport is a tight little bundle of keyboard virtuosity from Benmont Tench with a lazy, groove-soaked accompaniment from Howie Epstein and Chris Trujillo in the rhythm section. This piece may be completely unique in the catalogue in two different, very interesting ways. First of all, I’m pretty sure that Tom didn’t play on it. Second,…

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Hung Up and Overdue

It’s curious that the two songs that reference California were both left off the final Wildflowers release; perhaps Tom being self-conscious about being too prescriptive and direct in that vein. Hung Up and Overdue has a very simple, very direct lyric which sits atop a wonderful arrangement and doesn’t need to do too much of…

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Walls (No. 3)

I don’t think I’ve ever hidden or tried to hide the fact that Walls is one of my very favourite Tom Petty compositions. I think it’s essentially a perfect song. And this version is, as I say, an exercise in showing how to simplify and condense an arrangement to be as tight as you can…

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Hope on Board

I would love to know if an extended version of this arrangement exists anywhere on the cutting room floor. I know that there was only one violinist, Lili Haydn, who I’m hoping to have on the podcast as it happens, and two cellists, Gerri Stutyak and Michael Severens. But I think if you kept building…

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Bad Monkey + Petty Country

John and I got together to discuss the Petty Country and Bad Monkey Soundtrack releases and built a 16 track playlist that gives you a good idea of what to expect from each disc. We discussed what makes a good cover version, which contemporay artists are doing the best job of interpereting Tom’s work and…

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California

There’s a quality to this song that I’ve only really experienced once before. It makes me homesick for a place I’ve never lived in. The other time this has happened to me was, coincidentally, also California. If any of you are Van Halen fans or even just rock n roll fans with an interest in…

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